Concrete and oak gallery interior with shafts of amber daylight across a polished floor

Spatial design studio

Space is not a container. It is a character.

We design the rooms people live, work and gather in — beginning with how light moves, how bodies flow, and what the material already wants to become.

A portfolio in motion, not a catalogue of finishes.

Eleven years, sixty-four completed rooms, three disciplines. We take on six projects a year so each one gets the studio, not a junior with a template. The work below is current — not a highlight reel.

Vespro — Hospitality — 140 covers

Hospitality — 140 covers

Vespro

Ochre plaster, perforated steel screens and terracotta banquettes tune a hard shell for low-light dining.

Fold Studio HQ — Workplace — 2,400 m²

Workplace — 2,400 m²

Fold Studio HQ

A single burgundy acoustic wall anchors an open floor; glazed rooms borrow daylight instead of blocking it.

Cotton Row House — Residential — full renovation

Residential — full renovation

Cotton Row House

A new skylit stair shaft pulls daylight four storeys down through a previously dark Victorian plan.

Method

Four commitments we do not negotiate.

Light first

We survey a site across a full day before drawing a line. Orientation, glare and reflected warmth set the plan — fixtures come last, not first.

Flow as structure

Circulation is the real programme. We map how a hundred people arrive, queue, sit and leave, then shape thresholds so nobody has to be told where to go.

Material honesty

Lime plaster, blackened steel, unfilled travertine, solid oak. We specify what ages well and detail the joints so wear reads as patina, not damage.

Built to be built

Every scheme leaves the studio with 1:5 details, a finish schedule and a bill of quantities the contractor can price without a single guess.

Material samples of terracotta tile, brass, charred timber and linen arranged on a plaster table

The material library

We specify from a shelf, not a screen.

Nine hundred physical samples sit in the studio, each tagged with supplier lead time, maintenance regime and the projects it has survived. Clients choose in the light of the room, against the real plaster, at the real scale.

Inside the studio

Bring us the plan you have been avoiding.

Send drawings, photographs or a rough brief. We reply within two working days with an honest read on scope, sequence and budget range.

Start a project